Sonic Cd 20th Anniversary Soundtrack LINK Download
Sonic the Hedgehog CD Original Soundtrack 20th Anniversary Edition is a single-disc release of the original Japanese soundtrack for the Sega Mega-CD title Sonic the Hedgehog CD. It was released during the twentieth anniversary year of Sonic the Hedgehog on 23 November 2011. It is the first full release of the Japanese soundtrack seventeen years later since the official release of the game.
Sonic Cd 20th Anniversary Soundtrack Download
Sonic the Hedgehog CD Original Soundtrack 20th Anniversary Edition is the long awaited release of the original Japanese soundtrack for the Mega-CD title Sonic the Hedgehog CD, the fourth by Wave Master to celebrate Sonic the Hedgehog's 20th anniversary. Though the American soundtrack was available back in early 1994, there had never been a comparable production for the Japanese side, the closest being the 1994 Sonic the Hedgehog - Remix. The disc contains three bonus tracks, all relating to the North America Special Edition soundtrack written by Spencer Nilsen, including the extended version of Sonic Boom. The enclosed booklet also features commentary by those involved in the music's creation, including an exclusive image of Sonic done by Game Director and Sonic creator, Naoto Ōshima.
Digital editions of the album will mirror the complete deluxe audio content-remastered, remixed and live- available across all streaming and download platforms. Digital breakouts will also offer the remastered and remixed album in hi-resolution (88.1/24). An advance single release of "What's The Frequency, Kenneth? (Remix)" is available to stream or download today: listen and pre-save the album here. In this remix, original Monster producer Scott Litt offers a completely fresh take on the song, giving fans a new way to experience the single which launched Monster around its original release.When Monster was released in September 1994, the members of R.E.M. were at a crossroads in their career. Singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry were decompressing from the massive commercial and critical success of 1991's Out of Time and 1992's Automatic for the People. In just a few years, the Athens, GA, four-piece had become one of the biggest, most recognizable bands in the world, thanks to hits like "Losing My Religion," "Man on the Moon" and "Everybody Hurts." It had also been six years since the group had toured. By the time that work began on Monster, they were itching to end their self-imposed hiatus and get back on the road. The band was also looking for a sonic shake-up. While R.E.M.'s last two albums were full of ballads, acoustic rock songs and intricate arrangements, the group was ready to record something grittier, brasher and highly playable on stage. In his liner notes, Perpetua writes that Monster"had no precedent in the band's catalog," adding that R.E.M had "never been this distorted and dirty, or this glam or this flirty." Buck recalls, "We were trying to feel like a different band ... We wanted to get away from who we were."